[Special Topics of the Two Sessions in 2020] Sun Yongyin, a Famous Artist of Chinese Painting and Calligraphy

        孙永印

        1954年出生    天津市人

        中国美术家协会会员

        中国电影家协会会员

        中央美术学院进修

        中国现代艺术研究中心高级研究员

        八一电影制片厂美术师 (中国第十七届电影金鸡奖最佳美术奖获得者)

        其油画作品

        《行军路上》        入选第六届全国美展

        《破土》   入选第八届全国美展

        《死生之地》入选第九届全军美展

        《沉积》   (秦佣系列之二) 入选第十届全军美展

        《沉积》   (秦佣系列之三) 荣获2001北京国际艺术博览会特等奖

        《红墙》    入选全军“远太杯”美术作品展,荣获二等奖

        《东方》    入选文化部、广播电影电视部第四届美术作品展

        《印记》入选建国50周年全军美术作品展

        《月光》太平洋国际拍卖会收藏家收藏

        《夕阳》太平洋国际拍卖会收藏家收藏

        《冬韵》深圳动产拍卖会私人收藏

        《黄河祭》在两会期间百家媒体报道

        许多作品被美国、法国、瑞士、日本、新加坡、马来西亚、台湾、香港和内地收藏家收藏。

        另著作《中国历代人物造像》由国家外文局《今日中国》出版社出版,以中,英文两种文版在国内外发行。

        曾多次在中国《美术》、《军旅画家》、《解放军文艺》、《人民日报》、《当代绘画交流》、《解放军报》、《传奇天下特刊》等报刊上刊登作品。

        1954年  出生于天津市武清区

        1972年  参加中国人民解放军

        中央美术学院进修

        调入八一电影制片厂工作

        天津美术出版社出版连环画《老兵》

        人民美术出版社出版连环画《航行日记的秘密》

        河北美术出版社出版连环画《九颗夜明珠》

        山西人民美术出版社出版《百国历史》连环画

        山西人民美术出版社出版《百国战争》连环画

        人民美术出版社出版连环画报《丑石》

        入选《行军路上饭菜香》第六届全国美展

        —1987年   参加中日合拍的电影《敦煌》,任副美术师

        1988年—1991年   参加电影《大决战》拍摄,任副美术师

        参加电影《大转折》拍摄,任美术设计师

        参加第八届全国美展,油画作品《破土》入选并被私人收藏

        获得中国第十七届电影金鸡奖最佳美术奖

        出版《中国历代人物造型》中英文大型画册

        油画《死生之地》入选第九届全军美展

        参加电影《大战宁沪杭》拍摄,任美术设计师

        油画作品《冬韵》登载在第12期的《美术》封面

        参加第九届台北国际艺术博览会

        油画《大别山的孩子》被台北三希堂收藏

        成为中国美术家协会会员

        油画《东方》入选文化部、广播电影电视部第四届美术作品展

        油画《印记》入选建国50周年全军美术作品展

        油画作品《印记》被私人收藏

        油画《冬韵》在深圳动产拍卖会收藏家收藏

        油画《沉积》荣获2001年北京国际艺术博览会特等奖

        油画《红墙》入选全军“远太杯”美术作品展,

        荣获二等奖并被私人收藏

        油画《月光》太平洋国际拍卖会收藏家收藏

        油画《沉积》入选第十届全军美展

        油画《夕阳》太平洋国际拍卖会收藏家收藏

        油画《铜车马》参加北京国际博览会被私人收藏

        参加电影《惊涛骇浪》拍摄,任美术设计师

        参加电影《北纬三八线》拍摄,任美术设计师

        出国考察,在瑞士举办个人画展

        参加电影《白鹭的恋歌》拍摄,任美术师

        2007年   参加电影《唐山绝恋》拍摄,任美术师

        2008年   创作油画兵马俑系列《回首》、《筑城》等

        创作油画作品《逝去的阵地》、《死生之地》等

        天津美术出版社出版个人画集《中国现当代书画名家艺术大成》

        文联出版社出版《艺术大师三人行》

        四川出版集团出版《聚焦当代翰墨名家》

        油画《跪射俑》在保利精品拍卖会上被私人收藏

        中央电视台CNTV专题采访《画家孙永印》

        中国书画出版社出版《一代大师》

        油画《黄河祭》《守城者》《死生之地》在两会期间百家媒体报道

        向中国共产党第十八次全国代表大会献礼 孙永印——中国当代最

        具影响力书画名家作品展 网络媒体报道展播

        2013年   中央6台 《电影人物》专题报道电影美术师孙永印

        2015年   瑞典皇家艺术学院授予博士学位

        流光溢彩形质最美 直抵灵魂主旨为高——记著名油画家孙永印

        观赏孙永印的油画作品,首先感知到的艺术魅力是很壮观有形态。油画以精于造型为根本,高超的透视与光影纯粹技术能力,体现着孙永印作为一名油画艺术家的专业水准。

        孙永印油画,是油画的正本品质。虽为东方人,却成为油画主力品质的撑旗领导者,他努力通过油画的本质技法,把握油画创作的主流方向,不让油画滑入虚无的泥潭,或是走出极端印象主义的陷阱。

        孙永印的油法创作,态度是严谨的,技法是纯正的,可以用“真正的油画”这句朴实的话语来形容孙永印对油画正品品质的坚持和守护。油画源发西方,却在西方放任无拘的画笔下几乎走进了“胡涂乱画”的死胡同,孙永印发现极端不守油画本质技法的创作行为,让油画不但失去了造型为尚的正大品质,还走上了失去大众观赏价值,让大众弃之为丑的邪路。

        孙永正油画得益正宗技法的传承,成为油画创作的主流,流光溢彩的油画作品,品质端正,不但留住了大众对油画的审美视觉,也极好地触动了大众的油画审美心境。观赏孙永印的油画,获得的是真正的艺术享受,而不是茫然甚至是气愤的“看不懂”。

        大众能看懂孙永印的油画,完全得益于孙永印修成的“艺术绝不可以欺世”的艺术品质。有些油画创作者,借创新为理由,油画创作过度强调个人恣意,忽视顾念大众的主流艺术审美需求,把油画弄得云山雾罩,谜不可观。

        孙永印创作油画,首要的艺术态度是给人看,让人看懂,然后触动人心。看懂油画靠技法,触动人心靠主旨。每一幅油画作品,都有孙永印要表达的主旨意境,这让他的油画作品被打上了思想者的烙印,有感情,有理想,有思维的光芒。他用油画表达胸怀,表达历史,表达精神气质和文化,富有忧患意识,也有家国情怀。油画通过主旨而透发出来的文化深髓意境,与历史的沉厚感融为一体,让观赏者站在画前,如行纵与历史与文化的广阔空间,心有大动,情有大触,这就是孙永印油画源源不绝的艺术魅力。

        孙永印凭借深厚的油画理论与实践功底,可得水墨卓绝行者大赞。他因对油画艺术的挚爱而成修行油画艺术的开端,坚持用画笔记录非凡独特的历史,用内心的端正审视油画文化的多彩,用油画解释世界,同时铸造油画里的世界观,引领观赏者用深沉亦绚丽的心境去拥抱油画,观感艺术。

        画好油画,不仅仅限于技法修养,还在于艺术精神的广博与兼容。孙永印是一位从不停止艺术探究的前行者,行者无疆,他走出家门,不做闭门造车的艺术家,游历四方,山水自然,风土人情皆能深刻入画境。

        风景油画富有历史文化的沉厚积累,人物肖像油画则有通透人心的细致情感。他借助中国画的意境法则,去扣击油画的写实主义,内容丰富,情感真挚,激发出画法大同,中西合璧的艺术新水准,为东西绘画艺术的融合开辟了典范路径,为油画也为中国画,创造出新鲜的绚烂风采,功成融合,令人敬重。

        著名书画评论家史峰 2018年3月

        构绘历史主旨深厚  技归心境独树一帜——记著名油画家孙永印

        孙永印是一位非常专业的油画家,但是他与其他油画创作者有更加高远深沉的艺术思索习惯。画笔不随意浅绘风花雪月,时时能够深刻触及民族文化的精髓。他把历史深处的现实场景,通过油画的精工与庄严,表达触碰历史的文化责任意识,所以兵马俑通常是他借为所用的历史文化符号,用这种极有文化厚度的符号借助油画构建民族精魂,为五千年传承的历史点睛成采,在看似静谧的画境空间里,隐藏着宏大的文化叙述和精致的心境表达。

        他的油画艺术,不仅仅为“画”而成,还在于为责任而担当,是油画叙事民族精神的卓意表现。孙永印用非常专业的画技,把油画的主旨构造引领至崇高意境。画面创作绝不为把玩独赏,而是要用画家的天赋才华,给人们带来心灵的震撼,用兵马俑的幻相记载一个又一个精彩的文化瞬间。站在这个角度来讲,孙永印的油画已经升华为民族的精神史记,达古通今,泱泱五千年的民族风尚,在他的油画里滚滚涌出,成为令人仰望而生情怀的艺术涤荡。

        作为一个致力于用画笔记载民族精神的写实主义画家,孙永印的油画创作时刻能把准上层建筑的精神总脉,政治、经济、文化以及教育诸多因素的变化与转折,都是触动孙永印忽生灵感,顿悟成佳品的契机。也就是说,他的艺术是基于真实的现实环境而成就的艺术精华,以兵马俑寓意,不是抽成真空的虚幻。现实与真实,汇成时代洪流,是孙永印极力构成的画风质感,他的油画作品能引领人们的道德观、审美意趣,更能驾驭人们在新时代里的价值取向,触动人心就成为艺术化归感染力的必然。与其说他在用画笔画油画,不如说他是在用自己的丰富阅历在解析思想,滋养时空,在激发人们对现实的思索和对未来的展望。历史与未来的承接,中间恰好隔着孙永印的油画巨制,他的艺术就是沟通过去和未来的桥梁。

        油画对历史和未来的表现力,从来没有人能像孙永印这样,把这种力量推崇到极高极强大的境界。他的油画艺术不只是为实现小我的艺术理想,而是要去追寻家国能融的宏大气质,他的油画创作既是一种专业技能的自由表达,也是文化任务的重大担当。当许多油画艺术家正缺乏这种文化担当意识,仅以油画写风月的时候,孙永印却大踏步伐,坚韧前行,文化有担当的艺术创作,不但确立了他在油画艺术天空的璀璨位置,也被授予油画可成主流的创作机遇,所以尽得油画之功,亦可安心享得油画之名。

        构绘历史主旨深厚  技归心境独树一帜。构图源成经典,笔触尽得细腻,含蓄自然,从容大度,深藏气势恢弘。孙永印油画,打破旧有宏大文化主旨油画创作的旧路藩篱,不刻意说教文化,也不过度灌输精神,而是善于用寄寓的艺术手法,把主旨情感和精神寄寓于历史的深处,让作品始终饱含内在的震撼力,所以他的油画不是观感的刺激,而是对心灵的触动与俘获。他的油画总能呈现心有灵犀的意境,给人留下难以抹除的深刻印象!

        华艺书韵文化传媒艺术总监 原央视高级书画评论家 刘振华   2018年4月11日

        Sun Yongyin Born in Tianjin in 1954 Member of China Artists Association Member of China Film Association Central Academy of Fine Arts Senior Researcher of China Modern Art Research Center August 1 Film Studio Artist (Winner of China's 17th Golden Rooster Award for Best Art) His oil paintings "March on the Road" Selected in the 6th National Art Exhibition "Breaking Ground" Selected in the 8th National Art Exhibition "Land of Death and Life" Selected in the 9th PLA Art Exhibition "Sedimentation" (Qin Servant Series II) Selected in the 10th PLA Art Exhibition "Sedimentation" (Qin Servant Series III) Won the Special Prize of 2001 Beijing International Art Expo "Red Wall" was selected in the Army's "Far Too Cup" Art Exhibition and won the second prize. "East" was selected into the 4th Art Exhibition of the Ministry of Culture and the Ministry of Radio, Film and Television "Seal" Selected in Military Art Exhibition for 50th Anniversary of Founding of PRC Moonlight Collected by Collectors at Pacific International Auction Sunset Collected by Collectors at Pacific International Auction "Winter Rhyme" Private Collection in Shenzhen Chattel Auction The Yellow River Sacrifice was reported by hundreds of media during the NPC and CPPCC sessions. Many works are collected by collectors in the United States, France, Switzerland, Japan, Singapore, Malaysia, Taiwan, Hong Kong and the mainland. Another book, Figures of Chinese Past Dynasties, was published by the State Administration of Foreign Languages's China Today Publishing House and is available in both Chinese and English at home and abroad. He has published many works in China's "Fine Arts", "Military Painters", "People's Liberation Army Literature and Art", "People's Daily", "Contemporary Painting Exchange", "People's Liberation Army Newspaper", "Legendary World Special Issue" and other newspapers. Born in 1954 in wuqing district, Tianjin He joined the Chinese People's Liberation Army in 1972. Central Academy of Fine Arts Transferred to Bayi Film Studio Tianjin Fine Arts Publishing House Published Comic Book Veterans The People's Fine Arts Publishing House publishes a comic book The Secrets of Sailing Diaries Hebei Fine Arts Publishing House Publishes Comics "Nine Bright Nights" Shanxi People's Fine Arts Publishing House Published Comics of "History of 100 Countries" Shanxi People's Fine Arts Publishing House Published Comics of "Hundred Countries War" The People's Fine Arts Publishing House publishes the comic book newspaper Chou Shi Selected in the 6th National Art Exhibition of "Food Fragrance on March Road" -In 1987, he participated in Dunhuang, a Sino-Japanese co-production film, and worked as a deputy artist. From 1988 to 1991, he took part in the film "Armageddon" and worked as a deputy artist. He took part in the film "Big Turn" and worked as an art designer. Taking part in the 8th National Art Exhibition, the oil painting "Breaking Ground" was selected and collected privately. Won the Best Fine Arts Award of the 17th Golden Rooster Award in China Published a large-scale picture album in Chinese and English of "Chinese Figures of Past Dynasties" Oil painting "Land of Death and Life" Selected in the 9th PLA Art Exhibition He took part in the film "War between Shanghai and Hangzhou" and worked as an art designer. The oil painting "Winter Rhyme" appeared on the cover of the 12th issue of "Fine Arts" Attend the 9th Taipei International Art Fair Oil painting "Children of Dabie Mountains" Collected by Taipei Sanxi Hall Become a member of China Artists Association Oil painting "Orient" was selected into the 4th Art Exhibition of the Ministry of Culture and the Ministry of Radio, Film and Television Oil painting "Seal" Selected in PLA Art Works Exhibition on 50th Anniversary of Founding of PRC The oil painting "Seal" is privately collected. Oil painting "Winter Rhyme" Collected by Movable Property Auction Collectors in Shenzhen Oil painting "Sedimentation" Won the Special Prize of 2001 Beijing International Art Fair The oil painting "Red Wall" was selected in the "Far Too Cup" Art Exhibition of the PLA. Won the second prize and was privately collected. Oil painting Moonlight Collected by Collectors at Pacific International Auction Oil painting "Sedimentation" Selected in the 10th PLA Art Exhibition Oil Painting "Sunset" Collected by Collectors at Pacific International Auction Oil painting "Bronze Horse and Horse" Collected by Private in Beijing International Expo He took part in the shooting of the movie "Waves" and worked as an art designer. He took part in the film "38th parallel north latitude" and worked as an art designer. Go abroad for inspection and hold a personal exhibition in Switzerland. He participated in the shooting of the movie "Love Song of Egret" and worked as an artist. In 2007, he took part in the shooting of the movie "Tangshan Juelian" and worked as an artist. In 2008, he created oil painting terracotta army series "looking back" and "building the city", etc. Creation of oil paintings "lost ground", "land of death and life", etc. Tianjin Fine Arts Publishing House publishes a collection of personal paintings "The Great Achievements of Famous Chinese Modern and Contemporary Painters and Calligraphers" The Federation of Literary and Artistic Circles Publishing House Published "Three Friends of Art Masters" Sichuan Publishing Group publishes Focus on Contemporary Calligraphy Masters The oil painting "kneeling figurines" was privately collected at poly boutique auction. CCTV's CNTV Special Interview with Painter Sun Yongyin China Calligraphy and Painting Publishing House Published "A Generation of Masters" Oil paintings "Yellow River Sacrifice", "Guardians of the City" and "Land of Death and Life" were reported by hundreds of media during the NPC and CPPCC sessions. Sun Yongyin to the 18th National Congress of the Communist Party of China Network Media Reports of Famous Painters and Calligraphers with Influence Sun Yongyin, Film Artist, Presented Special Reports on "Movie Characters" by 6 Central Television Stations in 2013 In 2015, Sweden's Royal Academy of Arts awarded a doctorate Brilliant Colorful Shape and Quality, Most Beautiful and Reaching Soul with High Purpose —— A Record of Sun Yongyin, a Famous Oil Painter To watch Sun Yongyin's oil paintings, the artistic charm first felt is very spectacular. Oil painting is based on being good at modeling. Its superb perspective and pure technical ability of light and shadow reflect Sun Yongyin's professional standard as an oil painting artist. Sun Yongyin's oil painting is the original quality of oil painting. Although he is an oriental, he has become a flag-holding leader of the main quality of oil painting. He tries to grasp the mainstream direction of oil painting creation through the essential techniques of oil painting, so as not to let oil painting slip into the mire of nothingness or get out of the trap of extreme impressionism. Sun Yongyin's oil method creation is rigorous in attitude and pure in technique. The simple words of "real oil painting" can be used to describe Sun Yongyin's adherence to and protection of the genuine quality of oil painting. Oil painting originated in the west, but it almost came to a dead end of "muddle through" under the unrestrained brush of the west. sun yongyin found that his extreme failure to observe the essential techniques of oil painting made oil painting lose not only the fair quality of modelling, but also the value of public appreciation and the evil way of making the public abandon it as ugliness. Sun Yongzheng's oil paintings benefit from the inheritance of authentic techniques and become the mainstream of oil painting creation. The colorful oil paintings are of correct quality, which not only retain the aesthetic vision of the public on oil paintings, but also greatly touch the aesthetic mood of the public on oil paintings. Watching Sun Yongyin's oil paintings is a real enjoyment of art, not a vague or even angry "incomprehension". The public can understand Sun Yongyin's oil paintings because of the artistic quality of Sun Yongyin's "art must not deceive the world". Some oil painting creators, citing innovation as the reason, overemphasize personal willfulness in oil painting creation and neglect the mainstream aesthetic needs of the public, thus making oil painting a cloud mountain fog cover, which is a mystery. Sun Yongyin's primary artistic attitude in creating oil paintings is to show them to others, make them understand them, and then touch people's hearts. Understanding oil painting depends on technique, touching people's hearts depends on theme. Every oil painting has the theme and artistic conception Sun Yongyin wants to express, which makes his oil painting bear the imprint of a thinker, with feelings, ideals and thinking. He used oil painting to express his mind, history, spiritual temperament and culture, full of worries and feelings of family and country. The profound artistic conception of culture revealed through the theme of oil painting is integrated with the profound feeling of history. It enables the viewer to stand in front of the painting, such as walking in the vast space of history and culture, with his heart moving greatly and feeling touching greatly. This is the endless artistic charm of Sun Yongyin's oil painting. Sun Yongyin, with his profound knowledge of oil painting theory and practice, can be praised by excellent ink painters. Because of his love for oil painting art, he became the beginning of practicing oil painting art, insisting on recording extraordinary and unique history with paintbrushes, examining the colorful oil painting culture with inner rectitude, explaining the world with oil painting, and casting the world outlook in oil painting at the same time, leading viewers to embrace oil painting and look and feel art with deep and gorgeous mood. Good oil painting is not only limited to skill cultivation, but also lies in the extensiveness and compatibility of artistic spirit. Sun Yongyin is a pioneer who never stops exploring art. Walker has no boundaries. He goes out of his house and does not work as an artist behind closed doors. He travels all over the world, with natural scenery and local conditions and customs that can deeply enter the painting environment. Landscape oil painting is rich in historical and cultural accumulation, while portrait oil painting is full of delicate emotion. With the help of the artistic conception rule of Chinese painting, he attacked the realism of oil painting, which is rich in content and sincere in emotion. He inspired a new artistic standard of great harmony in painting and the combination of Chinese and western painting. He opened up a model path for the integration of eastern and western painting arts, and created a fresh and splendid style for oil painting and Chinese painting. The integration of achievements and achievements is respected. Famous Calligrapher Shi Feng March 2018 The Profound Purpose of Constructing and Drawing History, Unique Technology and Unique Mood —— A Record of Sun Yongyin, a Famous Oil Painter Sun Yongyin is a very professional oil painter, but he has a higher and deeper habit of artistic thinking with other oil painters. The paintbrush is not free to paint the scenery lightly, and it can deeply touch the essence of national culture at all times. He expressed the cultural responsibility consciousness of touching history through the precision and dignity of oil painting, so terracotta warriors are usually the historical and cultural symbols he uses. Using this extremely cultural symbol to build the national spirit with oil painting, it highlights the 5,000-year-old history and hides grand cultural narration and exquisite mood expression in the seemingly quiet painting space. His oil painting art is not only a "painting" but also a responsibility. It is an outstanding expression of the national spirit of oil painting narration. Sun Yongyin uses very professional painting techniques to lead the theme structure of oil painting to a lofty artistic conception. The creation of the picture is by no means an exclusive reward for playing. Instead, the artist's talent should be used to shock people's hearts and record one wonderful cultural moment after another with the illusion of terracotta warriors and horses. From this point of view, Sun Yongyin's oil paintings have been sublimated into the nation's spiritual historical records, reaching the ancient and modern times, and the great 5,000-year-old national fashion, which has poured out in his oil paintings and become an artistic cleansing that makes people look up and feel. As a realist painter who devotes himself to recording the national spirit with his paintbrush, Sun Yongyin's oil painting creation moment can change and turn the spiritual pulse of the quasi-superstructure, political, economic, cultural and educational factors, all of which are the turning points that touch Sun Yongyin's sudden inspiration and insight into a good product. That is to say, his art is the essence of art based on the real real environment and is symbolized by terracotta warriors, not the illusion of vacuum. The combination of reality and reality into the current of the times is the texture of painting style that Sun Yongyin has tried his best to form. His oil paintings can lead people's moral outlook and aesthetic interest, and can better control people's value orientation in the new era. Touching people's hearts becomes the necessity of artistic appeal. He is not so much drawing oil paintings as using his rich experience to analyze thoughts, nourish time and space, and stimulate people to think about reality and look forward to the future. The succession of history and the future happens to be separated by Sun Yongyin's great oil painting system. His art is a bridge between the past and the future. No one has ever praised the power of oil painting for its expression of history and future like Sun Yongyin. His oil painting art is not only to realize the artistic ideal of the individual, but also to pursue the grand temperament of the family and the country. His oil painting creation is not only a free expression of professional skills, but also a major undertaking of cultural tasks. When many oil painting artists lack this kind of cultural sense of responsibility and only write romantic stories in oil painting, Sun Yongyin has made great strides and persevered in his artistic creation with cultural responsibility, which not only has established his brilliant position in the sky of oil painting art, but also has been granted the creation opportunity that oil painting can become the mainstream. Therefore, he can do his best in oil painting and enjoy the name of oil painting at ease. To construct and draw a historical theme, profound skills and unique mood. The composition is classic, with exquisite strokes, natural implication, easy and magnanimous, and deep momentum. Sun Yongyin's oil painting breaks the old barriers of the old grand cultural theme oil painting creation. He does not preach culture deliberately or inculcate the spirit excessively. Instead, he is good at hiding the theme emotion and spirit in the depths of history by means of artistic techniques, so that his works are always full of internal shock. Therefore, his oil painting is not the stimulation of perception, but the touch and capture of the soul. His oil paintings can always present the artistic conception of connecting hearts, leaving a deep impression that cannot be erased. Former CCTV Senior Calligraphy and Painting Critics Liu Zhenhua, Director of Huayi Calligraphy, Culture, Media and Art, April 11, 2018

头像

Head portrait

孙永印作品

Sun Yongyin's Works

 

孙永印作品

Sun Yongyin's Works

 

孙永印作品

Sun Yongyin's Works

 

孙永印作品

Sun Yongyin's Works

 

完整图

Complete map

 

孙永印作品

Sun Yongyin's Works

 

村边的小河

The stream by the village

 

孙永印作品

Sun Yongyin's Works

 

小璐

xiaolu